Come the I’m not a mama bear I’m more of a mama horse like I’m pretty chill but I’ll kick you shirt late 1790s and early 1800s, a few additional societal factors played a part: One, a massive population boom London went from under a million people in 1801 to around one and a quarter million in 1820. With that came a rise in crime, but also general debauchery like drinking and gambling. Two, there was a greater focus on arts and culture a lover of beautiful things, the Prince Regent spent lavishly on paintings, buildings, and public works. Suddenly you had an aesthetics-focused society with a seedy underbelly and a weakened monarchy. The final accelerator? Little to no libel laws and, in 1814, the arrival of the mass-producing, industrial printing press.
TikTok stars began to trickle into the February birthday 2021 face mask the one where I’m still quarantined shirt fashion world in 2019, when Noen Eubanks became the face of Celine. Then in February, Charli D’Amelio, who has a whopping 103 million followers on the app, sat front row at Prada. The moment was reminiscent of when bloggers and YouTubers started to make their fashion week debuts in 2009. Surely, we’ll see more TikTok stars attending shows in coming years. But until then, brands such as Prada, Louis Vuitton, and Saint Laurent have begun live-streaming their shows on the app. TikTok says these livestreams in September brought in over 3 million views.
Dense with clever analysis of the modes and mannerisms of literary society readings that resemble postmodern performance art, dalliances that swing from Hay to Cartagena Mona is the It’s fine I’m fine everything is fine shirt kind of novel you read with a sense that you’re in on some very juicy gossip Chloe Schama“It was supposed to be a story about a woman approaching 40 and reclaiming her sexuality and rediscovering herself, just at the point that society traditionally writes women off.”
Neither conventional biography nor arm’s-length critical appraisal, Alexander Nemerov’s Fierce Poise shines a light on Helen Frankenthaler’s early artistic breakthrough by blending both forms. Eleven specific and crucial days from May 19, 1950, to January 26, 1960 are given an almost novelistic treatment to imbue revealing moments in the Official that’s what I do I pet dogs I play guitars and I know things shirt painter’s life and work with color, shading, feeling, mood, and historical and social settings. If the book occasionally wanders into a kind of assumed verisimilitude, with an omniscient narrator rendering scenes with a level of detail that seemingly belies available historical and biographical facts well, think of it as the price of admission to a thrillingly alive account of a woman unapologetically pursuing her own vision in an era and a milieu largely defined by men.
A Bright Ray of Darkness is Ethan Hawke’s fifth book, yet it reads like a crackling debut: ruminative, raw, and seemingly pretty personal. In it, a film actor named William Harding does his first Broadway show an ambitious production of Henry IV while his marriage to a pop star very publicly falls apart.“It was supposed to be a story about a woman approaching 40 and reclaiming her sexuality and rediscovering herself, just at the Official the people of gilead welcome you your taxes we mismanage shirt point that society traditionally writes women off.”
Sharon Stone’s memoir opens with her waking up at the hospital after experiencing a brain hemorrhage that nearly killed her in 2001. Having emerged as the quintessential sex symbol of ’90s Hollywood thanks to roles in hits like Casino and Basic Instinct, the Rocking the retired life shirt actor’s flourishing career was stopped dead in its tracks by the health scare. Stone has spoken in broad strokes about the “nine-day brain bleed” and its aftereffects on her career, but never with as much candor as she does in The Beauty of Living Twice.
Trim and elegantly written with her wicked sense of humor on full display, the Roll motha fuckin Tide shirt memoir is catnip for fans who have never managed to crack the exterior of the elusive star. The behind-the-scenes anecdotes from her four-decade career are predictably fabulous, as are her general musings on relationships, sex, love, and religion. But it’s the personal revelations detailing the actor’s journey to rebuild her life after waking up in that hospital bed that will leave readers with a renewed appreciation for Stone and her tenacity. —Keaton Bell
Kushner, the author of three acclaimed novels, including 2018’s dazzling prison-set The Mars Room, turns her fierce intellect to nonfiction in this essay collection. Her interests vintage cars and motorcycles, the art world, the late Denis Johnson (whose work is clearly an influence here), tough underground scenes of all kinds won’t surprise readers of her fiction, but there’s a rigorous specificity to the essays that draws you in.
The stories that make up Mira Sethi’s debut collection are set in Pakistan, but that is about where the similarities among her protagonists end: A young actress negotiates power dynamics on and off the set; a divorced man strikes up an affair with his diplomat neighbor. A portrait of a diverse and varied country, told through the emotions and exploits of her characters, Are You Enjoying is a powerful book with a light touch, marking the arrival of an assured storyteller. Sethi, a former journalist and an actor, feels as though she’s operating in a rich tradition of South Asian storytelling, but also, with the distinct and vibrant perspective she offers, making it her own.
Indie rock fans may know Michelle Zauner as the face of the solo musical act Japanese Breakfast, but her debut memoir, Crying in H Mart which chronicles Zauner’s struggle to retain her Korean identity in the wake of her mother’s death is sure to establish her as a singular literary talent. The Sorry ladies my mom is my valentine shirt book’s descriptions of jjigae, tteokbokki, and other Korean delicacies stand out as tokens of the deep, all-encompassing love between Zauner and her mother, a love that is charted in vivid descriptions of her mother after death; in a time when people around the world are reckoning with untold loss due to COVID-19, Zauner’s frankness around death feels like an unexpected yet deeply necessary gift.